MirrorBox in New York by Megan May Daalder

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MEGAN MAY DAALDER
MIRRORBOX in NYC At Jack Hanley Gallery New York July 12th 2012 at 6pm-10pm and Friday 13th July ALL DAY Jack Hanley: 136 Watts, New York, NY 10013

Megan May Daalder’s Mirrorbox is a participatory sculptural installation and ongoing research project exploring states of temporary shared identity and the embodiment of empathy. The work resulted from the artist’s discovery that the visual experience of real time face morphing can produce an embodied sense of shared identity in two individuals.

In contrast to commonly used Photoshop algorithms or postproduction compositing techniques, the Mirrorbox is designed to create intimacy, bringing two people within two feet of each other’s physical space for two minutes to create one constantly shifting, yet engaged reflection. Through a period of prolonged curiosity and design research, the Mirrorbox has developed from a performance work inspired by science into a legitimate scientific investigation.

A collage of survey questions was devised and for two years, data was collected at each installation in an attempt to verify the initial findings and discover why people were so taken by the sensation. The project traveled to Paris and Poland where is won best in show at the 14th WRO Media Arts Biennale, before returning to California to make its debut in a scientific community at the Imagination and Medicine conference, organized by psychologist Dr. Robert Bosnak. The positive response to this phenomenon inspired a deeper exploration of fabrication techniques that have allowed the Mirrorbox to become a robust tool for use in a variety of interpersonal scenarios.

Currently, the effects of this artwork are being studied at USC’s Brain and Creativity Institute where the Mirrorbox is being used in a pilot study testing its effects on cultures in conflict.

 

“Mirrorbox: The Story of How Art Became Science”

“Scientific American”

“Michael Stipe tumbler”

“Claire Evans from YACHT on the mirror box”

“Science KQED blog ”